Zero Dark Thirty

2 ½ pipes out of 4

Kathryn Bigelow has created another Hurt Locker only under a different name, more realistic and documentary style. She does a decent enough job chronicling the events that led to Osama Bin Laden’s Assassination, not in the thriller format that is advertised but in a scripted documentary that the audience already knows the ending of. The audience is introduced to the film with the audio of the final moment phone calls from the Twin Towers on September 11^th 2001; they are then thrust into a CIA torture scene 3 years later still trying to find Bin Laden. Zero Dark Thirty has taken many shots from the military in how it portrays torture, understandably so because the film appears to glorify torture and declare it a necessary evil to fight terrorism. Jessica Chastain plays Maya; a CIA agent who becomes hell bent on finding Bin Laden and somehow happens to be in every key meeting regarding him. She dedicates herself from her deployment into the field until she sees Bin Laden’s body on a gurney demonstrating the drive of one person and the political bureaucracy that governs the CIA. Even though being designated a thriller, Zero Dark Thirty is more of a drama until Seal Team 6 enters Bin Laden’s secret compound. There the audience becomes part of the team not knowing what to expect and anticipating that fateful moment of discovering Bin Laden. To close the film, Bigelow gives the audience a scene of relief, security and uncertainty on what direction to go next. While Zero Dark Thirty is being heavily favored for the best picture at the Oscars to me it failed to live up to such high expectations and is too similar to The Hurt Locker to get my vote but it remains a decent film.

Lawless

1 pipe out of 4

Great acting cannot save this bland and drawn out plot. Even with the stand out performance of Guy Peirce and steadfast acting of Tom Hardy could not save this movie from being unrelatable and ordinary. The movie follows the Bondurant brothers who are bootleggers in Franklin County, Virginia. The county is subsequently taken over by a corrupt district attorney who hires a ruthless mercenary (Guy Peirce) to bring all the Bootleggers under his thumb. Naturally the Bondurant brothers refuse and a “war” if you can even call it that begins between the two parties. There are continual teasers throughout the film of a confrontation between the two but is constantly differed to later. There are minor scrimmages that defiantly warrant the R rating that the film received but nothing like were indicated with the advertising. It appears that they tried to pull in the action movie viewers only to try and give them a drama action film that has questionable acting other than Pierce and Hardy. Shia Labouf is supposed to play the relatable character that is searching for equality and respect from his older brothers but fails miserably in that regard. He constantly is making stupid decisions and never owning up to the consequences. When he and his brothers gain wealth by becoming rum runners into Chicago he goes around flaunting his wealth with new cars, new clothes and new cameras trying to impress the daughter of an Amish preacher (Mia Wasikowska). This is just typical Labouf in his pretentious, overeager jerk that he is reprising from almost all of his films. There is the small highlight of Dane DeHaan who plays the crippled boy who the Bondurant have basically adopted and is the maker of the moonshine. He is delightfully upbeat and innocent which is refreshing from all the dark and dreary characters that litter this film.